What if an image could never be seen the same way twice?

My work explores this possibility through materials that resist a fixed appearance. Iridescent cellophane and vinyl, dichroic film, resin, and transparent acrylic become surfaces where color slips between hues, depth becomes uncertain, and light transforms what appears to be still.

Windows, portals, and geometric patterns recur throughout my paintings and sculptural objects. Drawn from architecture and the fleeting impressions of reflected and cast light, these familiar forms suggest thresholds between interior and exterior, the tangible and the imagined.

I'm interested in the moment when something familiar becomes unfamiliar—when a surface suggests an opening, a reflection creates an illusion of depth, or a simple shift in perspective reveals something entirely unexpected.